Ballet evening (In two parts) «Astana Opera»
BALLET EVENING
The Silver Age Ballets in the Choreography of Mikhail Fokine
In two parts
CHOPINIANA
to the music of Frédéric Chopin
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SCHEHERAZADE
to the music of Nikolai Rimsky-Korsakov
BALLET DANCERS AND THE ASTANA OPERA SYMPHONY ORCHESTRA
Artistic Director of the Astana Opera Ballet Company:
Altynai ASYLMURATOVA, People’s Artist of Russia
Conductor: Elmar BURIBAYEV
Stage Managers: Altynganym AKHMETOVA, Ainur KHALELOVA
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CHOPINIANA
(one-act ballet to the music of Frédéric Chopin)
Choreography by Mikhail Fokine
Revised version by Agrippina Vaganova (1931)
Set and costume design based on original sketches by Alexandre Benois and Orest Allegri
In 1908, Mikhail Fokine composed a non-narrative ballet sketch. As the choreographer wrote, it was “in the style of that long-forgotten time, when ballet was governed by poetry, when a dancer rose en pointe not to demonstrate the steel-like arch of her foot, but in order to create the impression of lightness, barely touching the ground, something ethereal and fantastical… I have tried not to surprise people with the novelty, but rather to restore the conventional ballet dancing to the point of its greatest advances. I don’t know how our ballet predecessors danced. And no one else knows that. But in my dreams this is precisely how they did dance.”
The entire suite, woven by the choreographer of fleeting visions consonant with Chopin’s music, captivate the audience by its pensive beauty.
LEAD ROLES AND PERFORMERS:
Young Man: Daniyar ZHUMATAYEV
Seventh Waltz: Shugyla ADEPKHAN
Eleventh Waltz: Moldir SHAKIMOVA
Prelude: Gulnaz ZHANAYEVA
PRODUCTION TEAM:
Ballet Master – Producer: Altynai Asylmuratova, People’s Artist of Russia
Assistants Ballet Masters – Producers: Konstantin Zaklinsky, Honoured Artist of Russia / Elena Sherstneva
Set Design: Victor Carare
Costume Designer: Arassel Dosmuratova
Lighting Designer: Vincenzo Raponi
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SCHEHERAZADE
one-act choreographic drama to the music of Nikolai Rimsky-Korsakov
Scenario by Mikhail Fokine
after the Arabian Nights fairytales
Choreography by Mikhail Fokine (1910). Reconstruction by Andris Liepa
Sets and costumes after original sketches by Léon Bakst
The bored Sultan Shahryar is being entertained by odalisques and his beloved wife Zobeide. The Sultan’s younger brother Shakhezman is also here, he lost faith in women after his beloved wife betrayed him. He does not believe his brother’s wives either and offers his brother to test their loyalty. Both Sultans go hunting, while their wives touchingly bid farewell to them. Almost as soon as the Sultans are gone, the wives bribe the Chief Eunuch who opens the door of the harem. Black slaves burst in, and shameless depravity begins. Zobeide reigns here, having fun with her beloved Slave. In the midst of such “merrymaking”, the brothers return. Shakhezman triumphs, Shahryar is enraged and orders to execute everyone on the spot. Sultan’s servants kill the odalisques, eunuchs and black slaves. Sultana Zobeide, whom her spouse Shahryar believed more than himself, relies on her power over him and tries to appease him. The Sultan is unable to give the order to execute her. However, his cunning brother contemptuously points at Zobeide’s hacked to death lover. Shahryar gives a sign to the executioners, but his wife manages to grab a dagger from him and takes her own life. Shahryar cries over the dead body of his unfaithful, but beloved woman.
LEAD ROLES AND PERFORMERS:
Zobeide: Anel RUSTEMOVA, Honoured Worker of Kazakhstan
The Golden Slave: Serik NAKYSPEKOV
Shahryar: Zhanibek IMANKULOV
Shakhezman: Sunggat KYDYRBAY (Debut)
Chief Eunuch: Ulan BEISSENBAYEV
PRODUCTION TEAM:
Choreographer Andris Liepa, People’s Artist of Russia
Assistant Choreographer Svetlana Romanova
Conductor Arman Urazgaliyev
Set Designer Anatoly Nezhny
Costume Designer Elena Netsvetaeva-Dolgaleva
Lighting Designer Vitaly Davydkin
Tickets purchased at the Astana Opera are exchangeable and refundable only in cases of cancelled or postponed performances. In all other cases, no refunds and exchanges are possible.